Spanish Open dictionary by Víctor Ramírez Montes

Víctor Ramírez Montes
16

	Value	Position
Position	97	97
Accepted meanings	16	97
Obtained votes	1	435
Votes by meaning	0.06	5178
Inquiries	199	580
Queries by meaning	12	5178
Feed + Pdf

"Statistics updated on 5/4/2024 9:26:08 PM"

Meanings sorted by:

cuarta pared: Division or imaginary wall that serves as a separation between the scenic dimension and the reality of the room.
atrezo: Set of objects and belongings used for the setting and scenographic decoration.
agnición: Scenic moment in which two characters meet again or in which one is recognized by another by some identifying feature.
aparte: Phrase of the character who says to himself but out loud but without the rest of the characters hearing him.
paraíso: Set of locations located in the highest part of the amphitheater, usually in the central part. Its cost is usually lower.
figurante: Extra actor who appears merely by his presence, without text and, sometimes, not even stage movement.
títere: Doll, made of all kinds of materials, which manipulate people with threads or gloves, is mostly used to make theatrical performances.
atrezo: Set of objects and equipment used on stage to favor the theatrical setting.
solista: Theatrical actor who specializes in monologues and soliloquies.
apuntador: Person hidden from the audience (formerly, in the shell or backstage) who quietly reminds the actors of the text when they go blank.
regidor: In the theater, person responsible for the effects and movements intended by the director.
anfiteatro: In a theater, high floor with seats set in tiers to facilitate the view of the show.
platea: Patio or lower part of the room, intended for the localities, in front of the stage from the pit or orchestra.
palco: Compartment with balcony in the amphitheater with several seats from where you can contemplate a show with an aerial perspective.
soliloquio: Speech of an actor who represents a character reflecting aloud in a solitary way.
teatro: Abbreviated way of referring to the theatrical fact, understood as the result of the contest of the literary part, as well as its spectacular component, in which stage director, actors, alderman and technicians intervene.